Sulla collocazione del dramma satiresco nella tetralogia drammatica
This paper discusses D. Sansone’s recent thesis (see “Prometheus” 41, 2015), according to which fifth-century satyr-plays would have been performed at the start of the dramatic tetra¬logy. A closer analysis of the evidence, especially of the remains of Aeschylus’ satyr-plays belonging to “connected tetralogies”, tends to confirm the traditional view about the satyr-play’s final position within the tetralogy.
Satyr-play; Tetralogy; Aeschylus; Classical drama
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