What Is the Aesthetics in China?

Gu Feng, Dai Wenjing

Abstract


It could be said that chinese aesthetics merges together three cornerstones (capisaldi) of the western tradition. It might be intended as the study of beauty in the Platonic sense, because of the vaste debate on the topic rooted back in chinese’s ancient times; it could match the sense of aesthetics as intended by Baumgarten, because of the long tradition of chinese perceptual studies, and it may also be compared to the Hegelian philosophy of art, given the abundance of chinese artistic manufacts and theories. Chinese aesthetics is distinctive and very different from the western one. While the latter tries to grasp the inner beauty of things by breaking them and accounts for beauty as an object, chinese aesthetics considers beauty as a subject, rather aiming at feeling the beauty of things for what they are. Compared to the occidental tradition, which is rooted in sensation but deviates from sensation to pursue a rational goal, chinese aesthetics originates from the sensation and adheres to it all the time. Therefore, the chinese stance makes for a unique and genuine approach to the discipline.


Keywords


Aesthetics in China; Yi Xiang (image); Shen Yun; sense of beauty; the aesthetic methodology

Full Text:

PDF


DOI: http://dx.doi.org/10.13128/Aisthesis-22414



Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License (CC-BY- 4.0)

 
Firenze University Press
Via Cittadella, 7 - 50144 Firenze
Tel. (0039) 055 2757700 Fax (0039) 055 2757712
E-mail: info@fupress.com