Animal Flicker

Érik Bullot

Abstract


Leafing a book quickly creates metamorphoses of its images and illustrations. Cinema as a medium is based on such visual discontinuity.  Both Paolo Gioli, the Italian filmmaker, and Stan Brakhage in America,  made very interesting flicker films with and about insects and butterflies : Farfallìo (1993) and Mothlight (1963). Is the buttefly miming the filmic device? To what extent has a film to disguise its mechanism? What is the relation between animation and the animal? I intend to scrutinize the link between flicker film and animality in regard of camouflage and mimicry.


Keywords


camouflage ; cinema ; media studies ; flicker film ; metamorphosis

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DOI: http://dx.doi.org/10.13128/Aisthesis-19417



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